Before Pongal truly arrived, it began with Bhogi—in the darkest, coldest hours of the morning. Around 4 or 5 a.m., while the world was still wrapped in sleep, old things were gathered and discarded, set aflame in a small fire that crackled softly against the silence. We stood around it, hands stretched out for warmth, talking about the most mundane things—school, neighbours, nothing and everything at once. There was something deeply cosy about those moments: the cold air, the shared quiet, the flicker of firelight on familiar faces. Today, hardly anyone wakes up that early—let alone gathers together to mark beginnings that way.
The night before Pongal was magical in a way words still struggle to hold. Streets came alive after sunset—not with chaos, but with a hushed, collective purpose. Mothers gathered outside their homes, bent low to the ground, fingers dusted white with kolam maavu, creating patterns that felt more like offerings and whispered prayers than mere designs. Under flickering tube lights and tender moonlight, the streets transformed into open-air galleries of care, patience, and pride. My mother was always there—focused, calm, unhurried. And every year, without fail, she won the first prize. I remember the quiet swell of pride, the knowing smiles from neighbours, and the comforting sense that everyone was watching out for each other. That night felt like the true, beating heart of Pongal.
Pongal mornings began early. The familiar music of vessels clanging, milk bubbling and joyfully boiling over, and elders calling out “Pongalo Pongal!” echoed through the street like blessings carried on sound. The day began with enna thechi kulithal—oil warmed, poured gently, massaged in slow, deliberate circles. It felt ceremonial, like washing away the old year before stepping into the new. Pongal was cooked the traditional way then, in earthen pots balanced over firewood, watched closely until the milk rose and spilled over, marking abundance and prosperity. Everyone waited for that moment, voices rising together as it happened. Today, earthen pots and firewood have largely been replaced by pressure cookers and electric stoves—choices shaped by time constraints and a faster, more hurried life.
Before the clock strikes 11 a.m., without fail, our neighbourhood paati would arrive. She lived next door with her husband—a pair everyone associated with warmth, devotion, and tradition. After completing her Pongal pooja, she would walk slowly through the street, balancing neatly stacked dishes on her hands—sweet pongal glistening with ghee, crisp vadai, fresh fruits—bringing them home. We were always called out before 11, gently reminded that blessings had a time and rhythm of their own. That act felt sacred, as though the festival itself had stepped into our doorway.
She doesn’t live there anymore. After her husband passed, the house was sold, and the doors that once opened every Pongal morning now remain shut. The absence is achingly loud, in a way only memories can be. The streets back then were never empty. From morning till night, there were voices spilling into one another, barefoot footsteps, shared laughter, half-finished conversations.
Pongal also came with its share of excitement beyond rituals. New films released during the festive season were discussed endlessly—songs played on loop, dialogues repeated, opinions exchanged even before watching them. Television stayed on longer than usual, filled with special shows, debates, festive programmes, and reruns that became part of the background noise of celebration. My sister’s childhood friend lived just two houses away. He was part of our everyday life—our festivals, our games, our noise. Then one day, he left the city quietly, without ceremony. Years later, we heard he had settled abroad, chasing bigger fortunes and a different life. His house, too, changed hands. The street grew noticeably quieter, a little lonelier.
Maatu Pongal carried its own energy. We watched Jallikattu live on television, eyes glued to the screen, hearts racing with every charge and cheer. Even from our living rooms, it felt raw and powerful—tradition unfolding in real time, stirring pride and debate in equal measure. The best part of Pongal was going to our native place. Even the journey felt celebratory—bags packed with excitement, minds already there. Grandparents waited at the doorstep; blessings came first—warm, familiar palms on our heads, whispered prayers, plates filled before questions were asked. Those few days felt endless in the best way. We slept on mats, ate from shared plates, listened to stories that had been told a hundred times, and lived slowly, simply, deeply rooted in something real. Kaanum Pongal was about movement and connection. Relatives were visited, homes were entered without formality, meals were shared, conversations stretched long. It was a day meant to see and be seen, to hold on to relationships beyond routine. And then it would end. School would reopen. Bags were unpacked reluctantly, uniforms ironed with heavy hearts and lingering reluctance. We returned home with frowny faces, already counting days for the next leave, carrying village mornings and our grandparents’ love quietly folded inside us.
Today, Pongal still comes, but the streets feel different. This year, hardly three houses made rangoli. The rest stayed quiet—doors shut, lives rushing elsewhere. The street that once felt like a living, breathing organism now feels paused, waiting for people who may never return. I realise now that I don’t just miss the celebration. I miss the people—our favourite paati, the neighbours who felt like extended family, the friends who grew up alongside us and then gently drifted away. I miss a version of life where everyone mattered, where festivals were shared, and where childhood was shaped by faces that felt permanent. Pongal still reminds me of joy—but it also reminds me of loss. Of time passing softly but relentlessly. Of people moving on. And of how some seasons don’t just celebrate harvests, but quietly, tenderly harvest memories too.